10 covers of hard rock music you wish you’d never see happen


Covering up another artist’s material can be considered one of the greatest compliments one musician can give to another. When Jimi Hendrix covered Sgt. Pepper in 1967 was simply to pay homage to a group of musicians he respected and admired (maybe there was a little flexing in the guitar).

Likewise, when Johnny Cash released his version of Hurt, original writer Trent Reznor commented on how moved he was that such an icon would consider singing his song.

But this is the best case, all the goodwill in the world could have been present, but if the execution of a cover is sloppy or badly judged, then it is well noticeable. There is also the uglier and more corporate side of musical covers.

Unfortunately, the music business is here to make money, and very often covers occur as a way to capitalize on already well-known songs. It’s not hard to tell when it does, with such leads often sounding like lazy attempts to sell audiences a revamped, hypocritical version of something they hold dear.

This list contains examples of covers of songs that were either performed poorly to the point of embarrassment, or were so blatantly cash grabbers that we wish they never happened.

In 2005, Live 8 brought together musicians from around the world to raise funds for impoverished African nations. With Will Smith, Stevie Wonder, Deep Purple and Green Day all giving performances.

One of the most anticipated appearances was that of Elton John, who would be joined by Babyshambles frontman Pete Doherty, to perform a version of Children Of The Revolution by Marc Bolan.

It had all the makings of a great blanket. A noble cause, an iconic rock song, the new face of independent music and Elton John. But, something went wrong in the process of cooking this particular issue.

It turned into an exercise in style rather than substance, with Doherty living up to his band’s name, frolicking on stage with all the chaotic chaos that made him a tabloid favorite. Of course, Doherty received the usual treatment in the press, with accusations that he was under the influence of something sinister …

Musically, the backing band was tight and Elton John rarely gives a bad performance, but Doherty wasn’t on his A set, singing out of tune, dropping lines altogether and being overly concerned with his ill-fitting hat.

It was a shame, but it was part of the routine that often marked Pete Doherty’s live performances during this time.

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