How Comics and Rock Music Became the Ultimate Partners in Crime – Kerrang!


Visuals are, of course, essential to comic book storytelling, and while the visual element is important to some extent in any music, metal might be the genre that leans the most – think makeup, to the pyro, to the guitars that look exactly like how they sound, and the weird piece of armor here and there. The two best logos from all over the world? They probably belong to Batman and Metallica.

There is also a shared outsider spirit, even when titans like Batman and Metallica are involved. Comics and metal are both much more varied and complex than they are often perceived by the general public; the vast array of material is frequently casually dismissed, stereotypically invisible as naive and juvenile, and its followers are a bunch of black-clad misanthropists. There is a world of subgenres in metal and every kind of comedic storytelling imaginable, but the two are too often dismissed, the chaotic noise on one side and the silly designs on the other.

This ignores the vast array of music in the umbrella term “metal”. Black Sabbath and Napalm Death, two world famous bands that even hail from the same city, exist on opposite ends of the spectrum. Putting all the comics together is, frankly, even crazier. Chelsea Wolfe – who contributed song Diana to this project and who stars as Wonder Woman in the short Sonic Metalverse – reveals that her favorite comic, for example, is Maus d’Art Spiegelman, the only graphic novel to win the award. Pulitzer. It tells the true story of the Holocaust with different animals representing different groups of people. There aren’t any superheroes or cloaks to be found, and other than being a story told visually with designs and speech bubbles, it couldn’t have much less in common with Dark Nights: Heavy Metal.

“It was probably my first introduction to this world,” says Chelsea. “More recently, I loved Katie Skelly’s graphic novels, which are very 60s film noir. Once I got involved in this DC project, I felt like I missed a lot of stuff. nice. This open-mindedness – come for the Pulitzer-winning Holocaust memoir, stay for the caped dinosaur – is not something common to all art forms, but comes up a lot in these two. , which perhaps has a lot to do with the extra effort being a fan of one or the other historically required.

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