Review: Cherry Glazerr becomes a must in modern rock with ‘Stuffed & Ready’


2018 was a big time for women in rock, with critically acclaimed albums from artists like Snail Mail, Soccer Mommy and DILLY DALLY. The release of Cherry Glazerr’s new album Stuffed and ready ride the wave of this prowess. Cherry Glazerr brings a unique edge to the music scene, finding a middle ground between soft indie rock and loud punk.

Stuffed and ready starts out soft and predictable, with mellow vocals and foot-tapping guitar melodies from vocalist/lead guitarist Clementine Creevy. But the music quickly becomes darker, even more hardcore, as Creevy launches into intense guitar solos and explores his low register.

Each song sounds different – ​​despite the sometimes repetitive vocal patterns – with the electric indie melody “Daddi” blending into the alternate sound “Wasted Nun”, and later, into the uproarious “Stupid Fish”, an angry anthem putting featured a screaming Creevy.

Creevy’s voice is unique, but it’s so high-pitched that the drums and guitar could easily overpower every track. To counter this, some of his more emotional lyrics are largely isolated, and instruments take center stage for more basic hooks.

One of the best examples of this is found in “Isolation,” a solemn song about self-inflicted loneliness and desperate attempts to cling to connection. Simple bass lines and drum beats are suspended as she sings “Don’t crowd me out ’cause I am not a shell/ I burn me when I runing hell”. Then the band launches into an aggressive jam for its repetitive chorus.

Lyrically, Creevy takes listeners on a tour through tough and lonely places. Instruments serve as vehicles, taking you from experience to experience. That’s true for most of Cherry Glazerr’s music, as well as some incredible women’s alt-rock releases over the past year.

The album is raw; it is full of strong emotions and sexual energy. It shows Creevy’s experiences in finding and losing love and intimacy, and the confusion and pain that comes with it.

The album is experimental and coherent. Although it starts out on an indie-rock note and ends with a more punk vibe, it fits in with these changes easily. The difference in sound doesn’t sound jerky or confusing – instead, it shows musical depth and a drive to perfect whatever sound they choose to explore.

Whereas Stuffed and ready is a short listen – clocked in at just over 30 minutes – it still feels like a full musical narrative. The album is well balanced and sounds like a perfect concert for an intimate venue.

Although the album lacks length, the group makes up for it in intensity and talent. After all, good things come in small packages.

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